This is the sixth and fi­nal part of Su­pervil­lain Lover, my screen­play about a young woman who once loved a su­per­hero, but is now forced to be­come the hero her­self, when all she wants is to fly away.

You can read the WHOLE THING, all 127 pages, as a PDF, right here.

Al­ter­na­tively, you can read it part-by-part.

See also: Part 1, Part 2, Part 3, Part 4, and Part 5.

You can view it as PDF, or read it in­line af­ter the break.



INT. LIZ’S BED­ROOM - LATE AF­TER­NOON

The ro­bots scut­tle around, fix­ing up the bed­room, re­mov­ing the last traces of de­struc­tion.

Out­side, the oc­ca­sional half-hearted BOOM of weapons.

Sev­eral tiny spi­der ro­bots march in. Be­tween them they hold a stretcher. On it, Liz is asleep.

The ro­bots lift her up onto the bed.

Anna helps them care­fully trans­fer Liz from the stretcher.

They try not to wake her… But Liz wakes any­way.

She looks around blearily.

She tries to sit up. The sud­den move­ment leaves her dizzy.

ANNA

Slowly…

Slowly, she tries again. Anna helps her.

Anna hands her a glass of wa­ter.

LIZ

I–Magic…

ANNA

Yes, you can do magic. It freaked Han­nah out a wee bit.

LIZ

Where is she?

ANNA

I was hop­ing you might know.

Liz looks at Anna, con­fused. She takes a gulp of wa­ter.

ANNA (CON­T’D)

She went off to res­cue you. The King and Pe­ter took her. Seems they were work­ing to­gether…

(beat)

How did you get away?

LIZ

Ac­ci­dent. There was a door un­locked. I ran. She chased. Then sud­denly I was some­where else, falling, then wa­ter, then–

She reaches a hand to cover her eyes.

LIZ (CON­T’D)

It hurt…

Anna reaches a metal arm around Liz.

ANNA

Could you tell where you were? Where The King took you?

LIZ

I know where they were. And I know… I know what we have to do…

INT. KITCHEN - PE­TER’S HOUSE - LATE AF­TER­NOON

Han­nah paces.

A fluc­tu­at­ing semi­trans­par­ent blue force­field con­tains her in the cor­ner.

Pe­ter’s mother pol­ishes The King’s shoul­der can­nons. Pe­ter talks at Han­nah.

PE­TER

I know you are am­bi­tious, sweet­heart.

Pe­ter’s mother snorts.

PE­TER (CON­T’D)

I’ll still let you have a busi­ness. Some­thing more proper. A restau­rant, per­haps? We al­ready have a ton of chefs you could choose from.

PE­TER’S MOM

You should­n’t tempt her, Pe­ter. She’ll get ideas.

PE­TER

(sternly)

You hear that? Don’t get any ideas, honey.

Han­nah rolls her eyes. Con­tin­ues pac­ing.

She looks out the win­dow.

The late af­ter­noon sun shines over the barn and through the tall grass.

It catches her off-guard.

She tears her gaze away, down–

Un­der the win­dow hangs the teardrop-shaped pen­dant.

She reaches for it.

PE­TER

The Pres­i­dent seemed fond of that thing.

He seems al­most re­morse­ful…

She glances at him, then picks it up.

There’s a loud THUMP as Pe­ter’s mother puts The King’s shoul­der can­non on the ground; Han­nah does­n’t no­tice.

Han­nah stares at the pen­dant.

On the one side: AL­WAYS. On the other: RE­MEM­BER.

HAN­NAH

Re­mem­ber… Al­ways…

INT. HAN­NAH’S LAB - LATE AF­TER­NOON

Liz reaches the stair­case.

ANNA

You should­n’t go up there.

LIZ

But you’re not go­ing to stop me.

INT. KITCHEN - PE­TER’S HOUSE - LATE AF­TER­NOON

She feels around it… Grasps it… Pulls…

It un­folds…

IN­FIN­ITY.

INT. HAN­NAH’S BED­ROOM - LATE AF­TER­NOON

Liz looks around.

LIZ

I know it, I know it…

ANNA

Know what?

LIZ

We’re al­most hov­er­ing, but chained down. The build­ing could crum­ble, she says, but we’d be fine. I know, Anna. I know what this place can do…

She closes her eyes and looks around.

Steps to­wards the wall with the hid­den door–

She opens her eyes. Spots the in­fin­ity sym­bol.

Her hand reaches to­wards it.

ANNA

You can’t go in there. Any­where, but not there. Please.

Anna does­n’t need to breathe, but seems about to hy­per­ven­ti­late.

LIZ

I know. But I must…

She reaches out.

ANNA

(half to self)

No, please, not there. Not in there. We don’t go in there. It does­n’t ex­ist. We for­get. For­get. For­get her. For­get her.

INT. KITCHEN - PE­TER’S HOUSE - LATE AF­TER­NOON

Han­nah’s fin­gers trace the in­fin­ity sym­bol.

HAN­NAH

Re­mem­ber… Al­ways…

INT. HAN­NAH’S BED­ROOM - LATE AF­TER­NOON

Anna mut­ters to her­self.

ANNA

For­get. For­get. For­get! For­get!

Liz traces over the in­fin­ity sym­bol on the wall.

It glows.

The hid­den door slides open.

INT. KITCHEN - PE­TER’S HOUSE - LATE AF­TER­NOON

Han­nah glances up

Nei­ther Pe­ter nor his mother are pay­ing her any at­ten­tion.

Pe­ter’s mother is con­cen­trat­ing on a princess fig­urine… She’s try­ing to force a sphere of magic into it…

HAN­NAH (CON­T’D)

I know what you’re do­ing…



INT. HID­DEN CHAM­BER - HAN­NAH’S LOFT - LATE AF­TER­NOON

YU­LIANA sits In the mid­dle of the cham­ber.

She is a ro­bot. Her head is miss­ing. Out of her neck comes many ca­bles, con­nect­ing to points all around the room.

Liz looks at Yu­liana, con­fused.

LIZ

You feel like Han­nah…

YU­LIANA

(from around room; Han­nah’s voice)

Please help me… Please… Let me go… Let me fly away… Please…

LIZ

You’re Han­nah…

Yu­liana stopps mut­ter­ing.

YU­LIANA

I am Yu­liana. I am truth.

INT. KITCHEN - PE­TER’S HOUSE - LATE AF­TER­NOON

Pe­ter’s moth­er’s con­cen­tra­tion is lost.

HAN­NAH

(dazed)

The truth…

(to Pe­ter’s mom)

You are so blind…

PE­TER’S MOM

No thanks to you.

HAN­NAH

You don’t get it…

She looks down at the pen­dant.

HAN­NAH (CON­T’D)

That truth that I hide from my­self…

INT. HID­DEN CHAM­BER - HAN­NAH’S LOFT - LATE AF­TER­NOON

Yu­liana trem­bles.

YU­LIANA

Please help me?

Liz gulps.

She steps to­wards Yu­liana. Puts a hand on her shoul­der.

LIZ

Han­nah… Yu­liana… I don’t know what you are, but… I think I know what you can do. You con­trol this place, don’t you?

(beat)

You don’t need me to let you go. Fly. Fly, Han­nah. Fly away! Fly away, with me!

She grasps one of Yu­liana’s ro­botic hands.

LIZ (CON­T’D)

Fly to where it be­gan. You can, can’t you? I see it. I _feel _it. I _know _it.

YU­LIANA

Please… Help me… Please?

LIZ

Please, Yu­liana… Fly.

For a mo­ment, noth­ing, then–

RUM­BLE.

The walls SHAKE. SLIDE into the floor.

The or­ange af­ter­noon light shines through the glass…

EXT. FLY, INC. SKY­SCRAPER - CON­TIN­U­OUS

The tower RUM­BLES.

The LAB at the top SHAKES.

The tether-like sup­ports SNAP and FALL.

The LAB be­gins to spin, then–

ROAR!

The in­fin­ity-shaped lab SEP­A­RATES FROM THE TOWER AND FLIES AWAY.

INT. KITCHEN - PE­TER’S HOUSE - LATE AF­TER­NOON

Han­nah shakes her head.

HAN­NAH

You’re try­ing to force your be­ing into those lit­tle phys­i­cal forms, but you’re so much more than that…

She stares at her own hand.

HAN­NAH (CON­T’D)

We are so much more than that…

INT. HID­DEN CHAM­BER - HAN­NAH’S LOFT - LATE AF­TER­NOON

All around is glass: the floor, the ceil­ing, the walls…

Be­low and around is the city, the sun re­flect­ing off the tall build­ings.

They fin­ish their as­cent, and then, Liz holds on for dear life as they FLY AWAY at high speed.

INT. KITCHEN - PE­TER’S HOUSE - LATE AF­TER­NOON

Han­nah looks up, com­pletely fo­cused.

HAN­NAH

I know what you are do­ing. You’re try­ing to put part of your­self into that. To con­trol it.

(beat)

You’re try­ing to do the thing I’ve tried my hard­est to for­get I could do.

(beat)

The _only _bit of magic I could ever do.

Pe­ter and his mother are con­fused. Shocked. Un­sure what to do.

She smiles a preda­tory smile.

HAN­NAH (CON­T’D)

And you _suck _at it.

The princess fig­urine shakes, then–

POP.

In the fig­urine’s place, there’s a sec­ond Han­nah in the room.

Then, from be­hind Pe­ter’s mom, yet an­other Han­nah speaks:

HAN­NAH 3

Let me show you how it’s done.

Pe­ter’s mom spins around.

Han­nah PUNCHES her in the face!

Items all over the room are turn­ing into copies of Han­nah: the table, the chairs, the desk, the knives, and then–

BRIGHT LIGHT shines through the win­dows.

The house RUM­BLES.

ROAR!

Pe­ter and his mother grab things to stay up­right.

Han­nah stum­bles.

The wall be­hind her EX­PLODES!

A me­chan­i­cal spi­der stares in.

Han­nah STUM­BLES out of the house. The spi­der legs grab her, and fly her away.

EXT. PE­TER’S HOUSE - CON­TIN­U­OUS

The gi­ant in­fin­ity sym­bol that is Han­nah’s Lab hov­ers above the house.

Slowly spin­ning, it comes in for a land­ing.

INT. KITCHEN - PE­TER’S HOUSE - CON­TIN­U­OUS

Pe­ter rights him­self.

He spots Han­nah, rushes to her.

PE­TER

Han­nah, thank good­ness…

She smiles at him.

He smiles back, hope­ful.

She just shakes her head.

PE­TER (CON­T’D)

Wha–

POP.

The princess fig­urine clat­ters to the floor.

The chairs, table, and every­thing else all re­vert to nor­mal.

There’s not a Han­nah in sight.

INT. HAN­NAH’S LAB - CON­TIN­U­OUS

The glass el­e­va­tor doors slide open.

The spi­der flies un­steadily, Han­nah in its grip.

Gen­tly, it places her on the ground.

Liz em­braces Han­nah.

HAN­NAH

I’m–

LIZ

I know.

HAN­NAH

I re­mem­ber. I tried to for­get, he left and I hated my­self so much, and I hid away and…

She be­gins to cry.

HAN­NAH (CON­T’D)

This abil­ity to put my­self into things… I hated it so much. It was magic, and _he _was magic, and… So, I put my knowl­edge, my truth, into her… And I put my vengeance into Anna. And I for­got. I _wanted _to for­get.

(beat)

I for­got I could be strong.

Han­nah shakes her head, half laugh­ing, half cry­ing.

HAN­NAH (CON­T’D)

But it does­n’t work like that. It’s close, but not per­fect.

(beat)

We’re in­fi­nite, see? Re­ally in­fi­nite. And in­fin­i­ty’s not an amount. It’s a promise. It’s an al­ways. You can’t just put all of your vengeance, all of your truth, all of your strength into some­thing. You’ll al­ways get more.

(whis­per)

Not even our bod­ies can con­tain us. The in­fin­ity of our be­ing will al­ways es­cape one day…

She looks into Liz’s eyes.

HAN­NAH (CON­T’D)

I re­mem­ber. I re­mem­ber the al­ways. I re­mem­ber my­self. I re­mem­ber–I re­mem­ber…

They stare into each oth­er’s eyes for a mo­ment.

Han­nah leans in, then–

BOOM!

Blue light shines in through the win­dows. They look–

BOOM!

An­other blue fire­ball SPLASHES against the win­dow.

It’s Pe­ter’s mom. She’s dressed as The King, but is miss­ing her hel­met.

She’s very, very an­gry.

BOOM! BOOM! BOOM!

The fire­balls have no ef­fect.

She dis­ap­pears in a blast of blue flame.

POOF!

She reap­pears in the same spot, SCREAM­ING in frus­tra­tion.

Pe­ter walks up be­hind her.

LIZ

Your lab is re­ally awe­some.

Han­nah smiles.

Then, she gri­maces.

HAN­NAH

I’m _not _s­tay­ing in here for­ever. Not any­more.

Out­side, the noise grows LOUDER: Chop­pers FLY over­head, shin­ing lights all around; tanks ROLL in.

Liz grabs a weapon off a table.

It’s the flamethrower, but dif­fer­ent.

It looks rather hap­haz­ardly put to­gether: a sharp roughly-cut flame-shaped iron blade is bolted onto the top.

A small pur­ple flame flick­ers at its tip.

Han­nah smiles at Liz.

EXT. HAN­NAH’S LAB/​PE­TER’S HOUSE - CON­TIN­U­OUS

The tanks sur­round the lab.

The chop­pers wait.

Sol­diers swarm out of their Humvees.

Pe­ter and The King stand in front of the lab.

They stare down the army.

INT. HID­DEN CHAM­BER - HAN­NAH’S LOFT - SUN­SET

Han­nah, now in ar­mor, stands with Liz.

On Han­nah’s back: the fly­ing car­pet. On Liz’s: her flamethrower.

They look into each oth­er’s eyes.

The lab be­gins to SHIFT around them.

The floor RISES; the rest DIS­AS­SEM­BLES and OPENS.

Ro­bot spheres be­gin to SWIRL around them as they RISE.

They lean in to­wards each other…

They kiss.

EXT. HAN­NAH’S LAB/​PE­TER’S HOUSE - CON­TIN­U­OUS

A small cir­cu­lar plat­form rises into the air as the cou­ple stand­ing upon it KISS.

Ro­bots of all kinds SWARM around them: spheres, spi­ders, and fly­ing en­ergy weapons.

On the ground, every­one looks up at the cou­ple…

The kiss ends.

They look into each oth­ers eyes, still em­brac­ing each other.

Their hel­mets hover down onto their heads.

They smile…

They lean back…

They FALL BACK­WARDS.

Small spi­ders GRAB them and fly away.

The rest of the ro­bots SWARM out at the army be­low.

BUL­LETS and PULSES OF EN­ERGY fly EVERY­WHERE.

He­li­copters FALL into the crowd and EX­PLODE.

GEN­ER­ALS

FIRE!

IT HAS BE­GUN.

Sev­eral spi­ders CLEAR AN AREA, and Han­nah and Liz LAND in the mid­dle.

Liz LEADS THE WAY into the fray, a venge­ful force of na­ture.

Pur­ple fire STREAMS from her flamethrower and SWAMRS around her and through the army ahead.

As Han­nah walks, rocks on the ground vi­brate, then…

They be­come CLONES of Han­nah, each with her own weapon. As they walk, de­bris around them forms into yet more clones.

Liz LEADS the army of Han­nahs into the bat­tle.

The ro­bot SPHERES fly­ing through the crowd PIERCE tanks; oth­ers fly be­neath and FLIP THEM OVER.

Anna is hav­ing the time of her life.

She STANDS upon the top of a 30-foot-tall metal spi­der that RAINS DE­STRUC­TION upon the army be­low.

She JUMPS into the fray. STEALS a gun; uses it to KNOCK OUT sol­diers.

Pe­ter and The King SHOOT FIRE­BALLS into the bat­tle. They’re met with bul­lets.

PE­TER

(to King)

Find Han­nah!

Some­thing CRASHES into the ground be­hind them.

HAN­NAH

I’m right here, sweetie!

Han­nah stands from where she landed.

Around her, a dozen en­ergy weapons AIM at Pe­ter and The King.

The King shoots at them.

Pe­ter POPS away to be­hind Han­nah.

He be­gins to build a BALL OF BLUE FIRE in his hands–

PE­TER

OOF!

Liz SLAMS him into the ground.

With a BANG, Liz is thrown off him.

She lands on her feet, flamethrower aimed right at Pe­ter.

WHOOSH!

Pur­ple fire SHOOTS at Pe­ter, ig­nit­ing all the grass around him.

Pe­ter shields with his own blue flame, but the pur­ple fire leaps around him!

The wall of pur­ple fire EN­CIR­CLES Pe­ter.

Liz walks through it.

EXT. FOR­EST - CON­TIN­U­OUS

Han­nah CHASES The King into the FOR­EST. Each BLAST AWAY sol­diers and tanks in their way.

BOOM! BOOM!

Blast af­ter blast from Han­nah’s weapon hit trees.

The set­ting sun streams through the branches.

The King laughs.

KING

I am your King, honey.

Han­nah fires into a shadow. A tree TOP­PLES over.

The sun­light be­gins to dim.

Han­nah fires into a dark spot, but now, every­where’s a dark spot.

EXT. FIELD - CON­TIN­U­OUS

The sphere of fire around Pe­ter GLOWS, hit by pro­jec­tile af­ter pro­jec­tile.

Then–

BANG!

It ex­plodes. Lis FLIES back­wards.

She stands un­steadily.

Pe­ter reaches an arm out to­wards her.

Her arms and legs all shoot in sep­a­rate di­rec­tions.

Her flamethrower goes fly­ing.

Pe­ter stalks up to her, a malev­o­lent smile on his face.

EXT. BARN - CON­TIN­U­OUS

The TANKS chase Anna into the barn.

She rushes in; out the other side–

They’re wait­ing for her.

Her ro­botic eyes open wide–

EXT. FOR­EST - CON­TIN­U­OUS

The dark­ness is com­plete.

KING (CON­T’D)

In the land of the blind, the one-eyed man is King.

The blue flames in The King’s eyes glow in the dark.

Han­nah shoots, but they’ve al­ready moved. The light from the blast is suf­fo­cated al­most im­me­di­ately.

EXT. BARN - CON­TIN­U­OUS

Anna lays on the ground.

Her face is SHAT­TERED.

The in­fin­ity sym­bol in her chest is CRACKED.

EXT. FIELD - CON­TIN­U­OUS

Pe­ter holds Liz’s face in his hand.

In his other hand, a fire­ball forms.

He lifts the blue fire to her face.

She tries to look away, but she can’t–

EXT. FOR­EST - CON­TIN­U­OUS

Han­nah messes with some­thing in the dark­ness.

Some­thing… Many some­things whir through the air.

KING

And honey, I’ve got two eyes.

The King’s eyes sud­denly stare right into Han­nah’s own. Their blue flames il­lu­mi­nate Han­nah’s face.

Han­nah’s vi­sor is down, and some­thing’s pro­jected in it…

The King grabs Han­nah’s neck.

Han­nah smiles.

INT. HAN­NAH’S HEL­MET - CON­TIN­U­OUS

Han­nah sees the for­est clear­ing from all an­gles.

HAN­NAH

I’ve got eyes every­where, “Honey.”

EXT. FOR­EST - CON­TIN­U­OUS

She KICKS The King in the stom­ach.

The King re­leases her. Han­nah FIRES.

BOOM!

The King flies back into a tree.

EXT. BARN - CON­TIN­U­OUS

The cracked in­fin­ity sign in An­na’s chest flick­ers. The light pul­sates un­evenly…

It shakes wildly…

Then, some­thing FLIES OUT and hits one of the sol­diers.

He blinks. Shakes him­self.

SOL­DIER

Cool!

He SLAMS his gun into a cou­ple of the other sol­diers. One SHOOTS HIM DONW–

Some­thing flies out into an­other sol­dier. He grins.

The rest RUN AWAY.

EXT. FIELD - CON­TIN­U­OUS

Pe­ter brings the fire­ball to Liz’s face. Her vi­sor’s up, she’s un­pro­tected, but–

PE­TER

OOF!

The flamethrower FLIES through the air and BLUD­GEONS Pe­ter!

Pe­ter’s con­cen­tra­tion is bro­ken. Liz falls to the ground.

She stands, and grabs the flamethrower from the air.

She puts the flame-shaped blade against Pe­ter’s throat.

Blood pools around the blade.

PE­TER

Are you go­ing to kill me?

EXT. FOR­EST - CON­TIN­U­OUS

The dark­ness flick­ers, but holds.

BOOM! BOOM!

The King dodges one blast from Han­nah’s en­ergy weapon, but the other HITS!

The dark­ness fades out; the set­ting sun again softly il­lu­mi­nates the for­est.

The King takes out her knife.

She THROWS.

Han­nah does­n’t flinch.

Four spheres CATCH the knife in their claws, INCHES away from Han­nah’s face!

They turn it around. They SHOOT at The King!

The knife SLICES through a soft point in The King’s ar­mor, and into her stom­ach.

The King lurches.

She falls against the tree.

Han­nah walks up to The King.

She aims her gun at The King’s head.

BOOM.

EXT. FIELD - CON­TIN­U­OUS

The blade of the flamethrower digs into Pe­ter’s neck.

LIZ

I’m not go­ing to kill you. Han­nah is. I am go­ing to watch.

(beat)

Three… Two…

Liz takes a step back.

THUMP!

Han­nah, fly­ing on the car­pet, SLAMS into Pe­ter.

They tum­ble across the ground.

Han­nah lands on top.

PE­TER

Han­nah–

She holds The King’s knife against Pe­ter’s al­ready-bleed­ing throat.

HAN­NAH

You said I was weak.

The army of Han­nahs col­lects be­hind the main Han­nah.

PE­TER

I said–

BE­GIN FLASH­BACK

EXT. EVENT PLAZA - DAY

The Shad­ow’s knife DIGS into Han­nah’s neck. A trail of blood flows down.

HAN­NAH (O.S.)

You said I was help­less.

PE­TER (O.S.)

I was–

HAN­NAH (O.S.)

I re­mem­ber now. I re­mem­ber what I made my­self for­get…

A spin­ning, hov­er­ing cube SHOOTS out of Han­nah’s bag.

It RUSHES at The Shadow!

Its sharp edge GOUGES The Shad­ow’s face across the eyes.

The Shadow re­leases Han­nah. The knife falls to the ground.

Han­nah grabs it– Raises it– Pre­pares to strike–

She THROWS!

Just be­fore it stabs straight through The Shad­ow’s head… The shadow dis­ap­pears in a ball of BLUE FIRE.

END FLASH­BACK

EXT. FIELD - BE­FORE SUN­SET

Han­nah lies on top of Pe­ter.

In her hand, the knife STABS through Pe­ter’s stom­ach.

The army of Han­nahs has gone.

HAN­NAH

I was never weak.

Pe­ter strug­gles to speak.

PE­TER

For­give… Me?

She looks into his eyes. A tear drips down her face…

She pulls out the knife.

Her other hand strokes Pe­ter’s face.

She stares him straight in the eyes.

HAN­NAH

No.

She plunges the knife into his heart.

Some­thing leaves Han­nah–a glow­ing piece of her.

She reaches for it. Grabs it…

She lets it go.

It fades away.

She stands. Turns to Liz.

Han­nah col­lapses into Liz’s arms.

Anna–in a newer, shinier body–walks up be­hind them.

The bat­tle around has all but ended: spi­ders march through, bend­ing tank can­nons, con­fis­cat­ing sol­diers’ weapons.

EXT. FIELD - SUN­SET

Han­nah digs through the rub­ble of Pe­ter’s house.

LIZ

What are you–

HAN­NAH

Got it!

Han­nah pulls out the lighter.

It’s slightly dinged, but the name “HAN­NAH” is still vis­i­ble etched into the side.

She flicks it.

It lights.

She smiles.

She turns to Anna.

HAN­NAH (CON­T’D)

You can take care of the world.

ANNA

(jok­ing)

Gonna put that part of you into me?

HAN­NAH

(smil­ing)

For now.

ANNA

You don’t want to stay and look over my shoul­der?

HAN­NAH

No.

She grabs Liz.

HAN­NAH (CON­T’D)

I’m go­ing to fly away.

She leans in for a kiss.

EXT. SKY - SUN­SET

On the fly­ing car­pet, the two break their kiss.

Hold­ing hands, they fly away into the sun­set.